by Gilbert & Sullivan
| Year of composition: | 1875 |
| Source of arrangement: | David Larrick (based on Kalmus full score) |
| Link to more information: | click here |
| Materials available: | arrangement for 6-piece ensemble |
| Description: | Arrangement for flute, clarinet, percussion, cello, piano, and several additional instrumental voices to be played on a synthesizer. Fee includes score and parts as described below, plus performance rights. More details |
| Full (conductor's) score, including the synthesizer part and all vocal lines. | 119 pp |
| Flute | 12 pp |
| Clarinet (part calls for both A and Bb instruments) | 13 pp |
| Percussion (click here for more information) | 6 pp |
| Cello | 17 pp |
| Piano notes: detailed instructions for marking up the Kalmus edition of the piano/vocal score. | 2 pp |
Copyright status: |
Copyright ©2002 by David C. Larrick |
Terms: |
Prices below include performance royalties for up to 6 performances in a hall of up to 600 seats. Please inquire about longer runs and larger halls. |
Purchase price: |
Online delivery:
$125
|
| Inquiries and custom orders: | Click here |
This website includes samples of many of the materials, in Adobe Acrobat format. Additional samples of all materials are available upon request. Please specify whether you prefer your samples to be sent via email attachment (Adobe Acrobat files), fax, or U.S. Mail.
Various custom services are available upon request, including:
International orders are welcome, at a small additional charge to reflect international postage costs.
These materials make "no pretense to intellectual eminence or scholarship sublime". They are based on the manuscript parts available for rental or purchase from Kalmus, and one of my goals was to make the materials reasonably compatible with those parts, since many G&S companies already own them. I have corrected errors and inconsistencies in these parts in an informed and sensitive manner, but not necessarily a scholarly one.
The materials have been performance-tested multiple times. I'm grateful to the conductors of those productions for sending me errata, suggestions, and even the results of their own scholarship. I have incorporated their modifications into the materials for the benefit of future conductors.